
Theater: Michael Darling – high school’s production of Peter Pan
This is a principal that I have used for my entire career.
However, only recently have I actually written it down
and explained to others.
I truly believe this is an important way to have true success in whatever
you want to pursue in life.
This concept is something that I mention during my workshops
and I believe it is a great way to run your acting and modeling business.
Running your business begins with the S.H.A.R.E. Principal.
S.H.A.R.E. stands for:
S – start
H – homework
A – agents
R – resiliency
E – enjoy
S. Sounds crazy but in order to have success one must start. So many people want to enter the industry but never do.
H. There might be a few people who are simply discovered and have the natural ability to have success, but most of us
have worked and continue to take classes, study with great teachers, and practice on our own.
A. Although I teach people how to get work on their own, it is always best to have an agent. They will know about more jobs that are available, and
make sure you get paid the correct amount.
R. In our business, where most of the time we are told that we are not wanted (most of us book only a fraction of the jobs we audition for), it is
very important not to take things personally and easily be able to recover and bounce back from disappointments.
E. We must enjoy what we do. One has to feel the passion for any job they have. Otherwise, it is very difficult to have real success.
That is my S.H.A.R.E. Principal. I hope this concept is helpful to you as well.
If you have any comments about S.H.A.R.E. please let your comment below.
Auditioning is the job that actors do, and it is a very difficult one. When we actually get booked for a project – for me, that is like being on vacation.
There are a number of things that agents, directors and casting directors need to see at an audition. Physically looking the part is the most important aspect of being considered for a role. If you physically do not look like the character you are reading for, then the chances of booking the job, not matter how great of a read you give, are pretty slim. During the actual audition, making the words sound conversational, listening to the other actor, and bringing your character to life are the most important aspects to all auditions. The audience needs to be taken out of their environment and brought into the actor’s world.
At the audition there are a few things that can help bring the audience into the actor’s world. Understanding the character is crucial. For any type of acting work, whether it is Shakespeare or a TV commercial, one must be able to answer the 5 W’s – Who, What, Where, When and Why. Who are you talking to, What is going on in the scene, Where is it taking place, When is it happening, and Why are you saying the words.
Understanding where and what time of day the scene is taking place will greatly affect the way you talk. If the scene is happening by a busy street, then your voice will have to be loud enough to carry over the noise. If things are happening at 3:00AM in your bedroom, your tone will be much different.
It is also necessary to create the environment during the audition, so that the audience believes you. When talking to someone in the scene, find that person in the room, and talk to that character. If you just randomly look around the room while reading to one character, then your audition will not be believable.
Wearing the right wardrobe is also very important. It not only makes it easier for the actor to connect with the character, but also for the audience to believe you are the character. Having said that, you also have to be careful when selecting your wardrobe. Some casting directors (especially in large markets) will be insulted if you walk into an audition wearing scrubs, a stethoscope around your neck and paper booties on your feet when reading for the role of a doctor. Casting directors know what doctors look like, and simply want to see your audition. Without going over the top with accessories, for an audition as a doctor, I would at least wear a suit, bring a lab coat and ask the casting director if it is OK to wear it during the audition.
It is the actors’ job to create the character. Never ask a casting director what he/she is looking for. That is our job.
If there are any words you don’t understand and can’t pronounce, always ask. If you are reading with another character and you don’t know what your relationship is with the other person, then you need to ask the casting director. Your read will change drastically if you are reading with your sister, mom, girlfriend or a stranger.
If you are auditioning for a TV show or a film, then watch the show so you understand the characters and the pacing of the program. Some shows like “The Gilmore Girls” had many actors talking at a very quick pace. That information will help you tremendously at the audition.
If you are auditioning for a film, watch other movies that the director has worked on. It will give you a better sense of how he/she works and what the director desires from the actors. You can easily find out about the directors other projects by visiting www.IMDB.com.
The most important objective for the actor during the audition and on the job, is to make the words sound conversational. That is what actors do. We talk and listen to each other, like in real life.
Let me know your thoughts. Do you have any suggestions for giving a great audition? If so, leave a comment below.
I have found that no matter where you go, after leaving your home, everyone is a
potential contact for you in the acting and modeling industry.
You could be standing in line at the supermarket, waiting for a table at a restaurant, or even
attending a sporting event, and the person next to you could be involved in or connected somehow
to the acting/modeling industry.
I was recently interviewed at a local Fox TV affiliate. After the interview was over,
I was asked by the sound engineer for my business card. The woman who answered
the phones at the station also asked me for my card. I was so embarrassed because I had given out
my last card a few days ago, and I had forgot to place additional cards in my wallet. I wound
up giving them a head shot and a composite sheet — but it was not good.
We should all carry around business cards that has our photo, contact information as well as
a listing of some of our experiences. My business card has information on both sides.
One side contains details of my book, How to Become a Successful Commercial Model, as
well as workshop details. The other side of the card contains my head shot and acting
information.
Sometimes we make our best industry connections in the most unusual places. That is why it is so
important to always be ready and prepared.
Let me know your thoughts. Do you have any marketing suggestions? Add a new comment below.

Signed With Agent
Luxe Fit Models – Manhattan Beach, California
TV/FILM
Dead of Night (Ep. 104) Supporting/ Gail Wide Net Productions (ID)
MARVIN Supporting/ Susan Konig Productions
What Really Happened? Lead/ Jan Story House Productions
TV COMMERCIAL:
Washington Nationals Principal VIVA Creative/DC
Virginia Hospital Cntr. Principal Bubble Mom Williams Whittle
Werner Ladder March Madness Principal/Painter IMRE
INDUSTRIALS:
US Dept. of Corrections Correctional Officer The Moss Group
SmartSource Coupons Store Manager News Corporation NYC
SONY (Cameras) Tennis Player Blue Pixel Creates
Many actors and models wait by the phone for their agent to call them about auditions, go-sees and booking information. Even though I am represented by many agents in various different markets, I still market myself. I don’t want to rely on others to get me work.
There are many ways we can be pro-active and market ourselves. Making sure you have the right photos on great web sites is a good way for others to see you. Another way is to actually send your head shot and or comp card directly to the people who can hire you. The art and creative directors at advertising agencies, casting directors (head shots only), producers, and photographers are the people you need to see your materials.
There are many ways of finding these people. Associations like AAAA.org, ASMP.org and castingsociety.com/ are great places to find ad agencies, photographers and casting directors. You should write a short cover letter, and if you have an agent, let them know that you can be booked through your agent. If you are don’t have representation, you can give them your contact information.
I find it very helpful to always be marketing myself, and let others know I am around and available.
In both my workshops and book, How to Become a Successful Commercial Model, I go into much more detail about marketing and getting work on your own.
Let me know you have any suggestions for actors and models to market themselves. Add a new comment below.
I’m just getting started but I KNOW this is my calling – I’m so excited that there IS opportunity for a 67-year old lady to Let My Light Shine! Thanks again for your encouragement and continuous enlightenment! It really pays to equip yourself with the tools you provide to enhance your skills.
HBO Special coming up in July
House of Cards (Extra work)
Major Commercial series for a Corporate Contractor
Political Ad Video
Music Video with Rappers
Pharma
Modeling for a Fashion MagazineTheater:
Getting My Piece of the Pie”/Lead Helga Rosenbloom
Silent Screams/Gladys the Nosey NeighborFilm:
“A Slice of Lemon”/Parole Officer (principal)
“Impressions”/Church Lady (principal)

Theater:
Empress’s Diary Kingdom Theatre Production
Modeling:
Fashion week runway Beautiful People
Background Work:
Madam Secretary
New York HipHop love
HBO Deuce
I recently had a very interesting audition for a feature film. I looked
over the sides (the portion of the script I was reading for the audition),
and felt very comfortable with my choices and delivery. I asked the
director if I should read to him, and he said yes.
As I finished my opening line, I looked at the reader to hear his line. He
did not read anything. I paused for a second thinking that he forgot to read
his words. He just stared at me. It became very clear that he was not going
to respond to me at all.
There were many possible ways I could have continued with the audition. I
decided to simply read my lines in a way that made it seem as if I had a long
scene. Instead of having a conversation with the other actor, I only talked to him.
After the read he gave me a specific scenario for my character, and just asked me to
improvise the scene.
I am guessing the director wanted to see if I could quickly think on my feet
before giving me the opportunity to see more of my improve skills.
Having a good feeling about what I did at this read is the only thing
I can ask for at an audition. It was also a lot of fun.
Let me know if you have ever had an unusual audition. Leave a comment below.
I got an email from a woman in New Jersey who said that she was going to audition for a feature film.
Her role is for a young version of Julianne Moore. She said that she has never done anything like this,
and wanted to know if I had any suggestions.
Here is my response to her.
Dear Randy
Congratulations on the audition. The first thing I would do is look up the director on IMDB.com and see what other films
the director has shot. This will give you a better sense of the style he/she shoots. This will also help you better
understand what the director likes to see from the actors he/she casts.
I would also dress the part. Look like the character you are reading for.
If you are reading with someone else, ask the casting director what is your relationship with the other character. This will help you tremendously read the part in a much more interesting way.
Most importantly, have fun and really enjoy yourself at the audition.
If you have any other suggestions, please leave a comment below.











